Husker Du
Minneapolis MN USA
Seventh Street Entry
3 February 1981
stereo audience recording

side A / set 1 (41:22):
["Land Speed" -style set]:
A01 All Tensed Up (02:18.17) >
A02 Don't Try To Call (01:42.47) >
A03 I'm Not Interested (01:45.50) >
A04 Sore Eyes (02:05.70)
A05 Happy Birthday* (01:40.14) [*for Ann Hilla]
A06 Don't Try It (02:29.17) [ - glitch in middle as received on original cassette]
A07 Private Hell (03:10.54) >
A08 Outside (02:47.27)
A09 interim / tuning (00:12)
A10 Can't See You Anymore (03:33.15)
A11 Diane (05:22.20) >
A12 Push The Button (02:09.45) >
A13 Gilligan's Island (01:29.45) >
A14 Uncle Ron (02:07.65) >
A15 MTC (01:47.63)
A16 interim / tuning (01:01.43)
A17 Data Control (05:36.60)

side B / set 2 (44:57):
B01 start (00:23.16)
B02 title unknown [instrumental] (05:05.00)
B03 Call On Me (03:20.58)
B04 Writer's Cramp (02:28.26) >
B05 Tired Of Doing Things (01:20.02)
B06 Sex Dolls (01:48.30)
B07 Don't Have A Life (02:44.38)
B08 Drug Party (05:13.37)
B09 Travel In The Opposite Car [instrumental] (02:39.63)
B10 Gravity (03:24.49)
B11 Statues (05:53.62) >
B12 Let’s Go Die (01:44.06) >
B13 It's Not Fair (05:53.35)
B14 interim / encore applause (01:47.08)
B15 Do The Bee (01:10.28)

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source:
original Maxell UD 60-minute cassette master [unknown mic & deck] 

lineage:
original master cassette [2-channel stereo] > Nakamichi DR-3 cassette deck [Azimuth adjustment applied to playback head] > Edirol R-04 [RCA/analog in; 24-bit/96kHz transfer (.wav)] > PC [via USB] > CD Wave Editor [Version 1.98; Windows Build Number: 0000.23F0] (sector boundary tracking) > Trader's Little Helper [Version 2.7.0; Build 172] (Level 8 .wav > .flac conversion)

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This is pretty straightforward; a LSR/“fast” set, and a “slow” set; a pretty fair overall representation of the band’s repertoire at the time.

B02: I can hear someone tuning up with the guys before the song, and it sounds like an e-bow guitar; I can't imagine who that might have been. The music sounds very much like "Needles In The Camel's Eye" by Brian Eno. At the very beginning, it sounds like someone in the audience is shouting the name “Jimmy”, and at the end, it sounds like Bob says someone’s name, which could be the guest musician, but I can’t really make out what is being said.

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The DG Tapes.
Made available to the world through the collaborative resources of these three people:
Recorded in 1980 by Daniel Grobani.
Digitized in 2011; and technical notes by J. Free [sonicarchives.com]
Additional research and titles confirmed by Paul Hilcoff [thirdav.com]

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